Nektar
Band members Related acts
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line up 1 (1969-1976) - Roye
Albrighton -- vocals, guitar
- Allan "Taff" Freeman -- keyboards, backing vocals - Derek "Mo" Moore -- vocals, bass, backing vocals
supporting musicians (1974) - P.P. Arnold -- backing vocals - Phil Brown -- tuba - Bob Calvert -- spoken word - Ron Carthy -- trumpet - Kenneth Cole -- backing vocals - Steve Gregory -- sax - Butch Hudson -- trumpet - Chris Mercer -- sax - Chris Pyne -- trombone - Stephan Wick - tuba
line up 2 (1976-78) - Roye
Albrighton -- vocals, guitar
- Allan "Taff" Freeman -- keyboards, backing vocals - Derek "Mo" Moore -- vocals, bass, backing vocals NEW - Dave Nelson -- vocals, guitar (replaced Roye Albrighton)
line up 3 (1980-82) - Roye
Albrighton -- vocals, guitar NEW - David Prater -- drums, percussion (replaced Ron Howden) NEW - Carmine Rojas -- bass, vocals, keyboards (replaced
Derek Moore) line up 4 (1999) - Roye
Albrighton -- vocals, guitar NEW - Ray Harwick -- drums, percussion (replaced David Prater)
line up 5 (2002-2003) - Roye
Albrighton -- vocals, guitar
- Allan "Taff" Freeman -- keyboards, backing vocals - Derek "Mo" Moore -- vocals, bass, backing vocals
line up 6 (2004-2007) - Roye
Albrighton -- vocals, guitar NEW - Randy Dembo - bass (replaced Derek Moore) NEW - Tom Hughes -- keyboards (replaced Allan Freeman) - Ron Howden -- vocals, drums, percussion, backing vocals
line up 7 (2007-) - Roye
Albrighton -- vocals, guitar - Ron Howden -- vocals, drums, percussion, backing vocals NEW - Peter Pichl - bass (replaced Randy Dembo)
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- Baby Grand (Carmen Rojas and David Prater) - Martin Cure and the Peeps (Roye Allbrighton) - The Grand Alliance (Roye Albrighton) - The Lucky Bishops (Tom Hughes) - The Peeps (Roye Albrighton) - The Rainbows (Roye Albrighton)
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Genre: progressive Rating: **** (4 stars) Title: Remember the Future Company: Passport Catalog: PPSD-98002 Year: 1973 Country/State: UK/Germany Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 1 Catalog ID: 4922 Price: $10.00
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Chronologically 1973's "Remember the Future" was the band's third studio set, providing the group with their first true European commercial success. As a result of a distribution deal with Passport Records, the album also served as the band's official American debut. Produced by Peter Hauke and the band, the album offered up another heavily orchestrated concept piece that's seen by many of the group's older fans as their creative zenith. Structurally the album was broken out into two parts coinciding with the two album sides, each in turn broken down into multiple sections. While the concept was completely lost to my ears, the music proved surprisingly innovative, commercial and likeable. Propelled by Albrighton's casual voice, the album was full of interesting textures, twists, turns and structural complexities. That said, I'm constantly surprised by the fact tracks like 'Images of Light', 'Returning Light' and 'Questions and Answers' were so tuneful and even radio friendly - 'Path of Light' and ''Tomorrow Never Comes' actually sported funky breaks that would have sounded pretty good on top-40 radio.
In support of the album the group also played their first American concert. Partially documented on the 1978 "Thru the Ears" retrospective (see below), their September 1974 debut concert took place at New York's Academy of Music. It must have been quite a show since among other memorable moments, they managed to blow the building's power supply.
"Remember
the Future" track listing:
1.) Remember the Future (Part 1) - 16:38 a.) Images of the Past (Nektar) b.) Wheel Time (Nektar) c.) Remember the Future (Nektar) d.) Confusion (Nektar)
(side
2) a.) Returning Light (Nektar) b.) Questions and Answers (Nektar) c.) Tomorrow Never Comes (Nektar) d.) Path of Light (Nektar) e.) Recognition (Nektar) f.) Let It Grow (Nektar)
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Genre: progressive Rating: **** (4 stars) Title: Down To Earth Company: Passport Catalog: PPSD-98005 Year: 1974 Country/State: UK/Germany Grade (cover/record): VG+ / VG+ Comments: gatefold sleeve Available: 3 Catalog ID: 6082 Price: $9.00
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I've owned this album since the mid-1970s, though I probably haven't listened to it for 15 years. That said, I was watching something on cable television that featured a song I really liked, though not enough to track it down. The very next day I was looking at a book on Krautrock and decided to pull out some of my German albums. The first one I put on the turntable was "Down To Earth". The minute I put it on I recognized the song I'd heard the previous evening - 'Astral Man'. Strange to say the least ...
Produced by Peter Hauke and the band, 1974's "Down To Earth" was the group's fifth studio set and marked a creative turning point for the band. Although a pseudo-concept piece built around a circus theme (don't ask me what the plotline was about ... life as a cosmic circus?), the album was surprisingly mainstream and commercial. Such an abrupt change in musical direction probably cost the band the bulk of their longstanding fan base, while the collection's new found accessibility (hard to imagine saying that in a Nektar review) didn't do much to generate mega sales. For what its worth, I think the album was pretty killer. Backed by an all star cast including singer P.P. Arnold, Hawkwind's Bob Calvert (serving as ringmaster complete with a horrible German accent) and sax player Chris Mercer, tracks such as 'Astral Man', 'Early Morning Clown' and 'Show Me the Way' were catchy, highly melodic and radio ready. Think that was hard to believe? Okay, the instrumental 'Nelly the Elephant', 'Fidgety Queen' and 'Oh Willy' were actually funky !!! No bullsh*t. F-U-N-K-Y. If they'd given it a chance older fans would've found quite a bit to like, including 'That's Life' which featured a wonderful mix of progressive and rock moves and some sterling bass moves from Derek Moore. Definitely a highpoint in the group's extensive discography.
- Opening up with what sounded like circus crowd sound effects (and featured throughout the album), 'Astral Man' showcased Derek Moore's innovative bass and proved a surprisingly commercial slice of pop-rock. This one would not have sounded bad on top-40 radio stations. rating: *** stars - Yeah, Bob Calvert's Teutonic-favored spoken word segments didn't seem to have much to do with the story, but if anything, the instrumental 'Nelly the Elephant' was even more pop-oriented, with a great melody and some tasteful synthesizers from Allan Freeman. rating: ** stars - With a beguiling melody, 'Early Morning Clown' was easily one of the prettiest songs they ever wrote, The song also featured a fantastic Roye Albrighton lead guitar segment. Shame it wasn't longer. rating:**** stars - Powered by some great fuzz bass and the band's frequently overlooked skills in the harmony vocal department, 'That's Life' offered up a wonderful mix of commercial and more progressive moves (Moore's performance was breathtaking). Overlooking Calvert's irritating spoken word segment this was another album highlight. rating:**** stars - Opening up with some nice Albrighton slide guitar and a funky horn section, Fidgety Queen' was a totally unexpected slice of funk ... You wouldn't have though an Anglo-German progressive unit could pull something like this off, but they somehow managed to do it. rating:**** stars - 'Oh Willy' found the band diving headlong into conventional hard rock ... By all intents it should have been a total creative disaster, but to be honest it wasn't half bad. Once again Albrighton turned in some nice guitar runs and the song's abrupt changes in direction (about half way through it morphed into a pretty, bluesy instrumental), before returning to it's initial rock orientation gave it some additional depth. rating:*** stars - Showcasing Albrighton's frequently overlooked acoustic guitar chops, 'Little Boy' was another pretty ballad that had commercial potential. rating: *** stars - To my ears 'Show Me the Way' was the album's most progressive oriented effort. Not exactly progressive in the way their earlier albums were, but still more elaborate than the rest of the album's pop orientation. The track also featured P.P. Arnold sharing vocals with Albrighton. rating: ** stars - There simply wasn't much to say about the closing instrumental 'Finale'. It was over in a flash ... rating: ** stars
The album was tapped for a pair of singles in the UK
- 1974's 'Fidgety Queen' b/w 'Little Boy' (United Artists catalog number UP 35706) - 1974's 'Astral Man' b/w 'Nelly The Elephant' (United Artists catalog number UP 35853)
Way too commercial for long time fans, yet too progressive for pop fans ... no way for these guys to win in the court of commercial sales.
"Down
To Earth" track listing:
1.) Astral Man (Nektar) - 3:07 2.) Nelly the Elephant (instrumental) (Nektar) - 5:02 3.) Early Morning Clown (Nektar) - 3:21 4.) That's Life (Nektar) - 6:49
(side
2) 2.) Oh Willy (Nektar) - 4:00 3.) Little Boy (Nektar) - 3:03 4.) Show Me the Way (Nektar) - 5:55 5.) Finale (instrumental) (Nektar) - 1:36
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Genre: progressive Rating: ** (2 stars) Title: Magic Is a Child Company: Polydor Catalog: PD-1-6615 Year: 1977 Country/State: UK/Germany Grade (cover/record): VG+ / VG+ Comments: white inner label; original lyric inner sleeve Available: 1 Catalog ID: 5208 Price: $10.00
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For some reason Nektar's always been one of those 1970s-era progressive bands that I could stomach. Mind you they could be as pretentious and overbearing as most of their contemporaries, but Roye Albrighton and company managed to keep the experimentation in check, balancing it with material that was surprisingly commercial. Those comments aside, I wish I could be as positive about this 1977 release. Produced the band and Jeff Kawalek, "Magic Is a Child" had a couple of moments, including the surprisingly commercial 'Train From Nowhere' and the stark ballad 'Listen' (co-written by Roye Albrighton), but for the most part was simply dull and aimless. Group-penned material like 'Away from Asgard', Love To Share (Keep Your Worries Behind You)' and 'Spread Your Wings' (the latter sporting what may have been the year's lamest cornball lyrics) came off as a weird blend of Yes and Moody Blues influences that managed to highlight the worst aspects of both groups. I'd suggest that Roye Albrighton's absence was certainly a factor in the band's unenthusiastic release.
"Magic
Is a Child" track listing:
1.) Away from Asgard ( Derek "Mo" Moore - Ron Howden - Taff Freeman - Dave Nelson - Steve Barth) - 2.) Magic Is a Child ( Derek "Mo" Moore - Ron Howden - Taff Freeman - Dave Nelson - Steve Barth) - 3.) Eerie Lacawanna ( Derek "Mo" Moore - Ron Howden - Taff Freeman - Dave Nelson - Steve Barth) - 4.) Love To Share (Keep Your Worries Behind You) ( Derek "Mo" Moore - Ron Howden - Taff Freeman - Dave Nelson - Steve Barth) -
(side
2) 2.) Listen ( Derek "Mo" Moore - Ron Howden - Taff Freeman - Dave Nelson - Roy Albrighton) - 3.) On the Run (The Trucker) ( Derek "Mo" Moore - Ron Howden - Taff Freeman - Dave Nelson) - 4.) Spread Your Wings ( Derek "Mo" Moore - Ron Howden - Taff Freeman - Dave Nelson) -
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Genre: progressive Rating: *** (3 stars) Title: Thru the Ears Company: Import Catalog: IMP-9001 Year: 1978 Country/State: Germany/UK Grade (cover/record): VG / VG Comments: gatefold sleeve; double set LP Available: 1 Catalog ID: 4834 Price: $20.00
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The late 1970s saw everyone and his mother releasing a double album set. For better or worse, the Anglo-German band Nektar joined the club in 1978 with the release of "Thru the Ears". A 12 track, double album set, the compilation offered up a mix of previously released studio material drawn from material ranging back to 1971 and three in-concert tracks drawn from a 1974 radio concert in New York City. Cynics and some long standing fans will point out that the album was released at a time when Nektar had already lost a large chunk of its audience. While the album would appear to be little more than a throwaway effort meant to grab a couple of bucks before fading into oblivion, the collection actually had a lot going for it.
I have to admit that I'm always surprised at how commercial much of this sounds - particularly 'Do You Believe In Magic' and the other four studio tracks on the first side. Even more surprising is the fact that much of the live material is equally tight and focused. Doubt that, then simply check out pretty ballad 'Good Day'. Not that commercial is necessarily good, but in this instance these guys seem to have benefited from a bit of focus. Mind you, the set isn't perfect. Long time fans are likely to squawk over the song selection, but as a casual fan I don't have a problem with the line up, though the fact that it isn't in any apparent order is kind of frustrating. I've lost track of their CD catalog, but if you can locate a copy of this one, it's a great place for the curious or casual fan to start.
"Thru the
Ears" track listing:
1. Do You Believe In Magic (Nektar) - 3:46
(side
2) a.) Images of the Past (Nektar) b.) Wheel of Time (Nektar) c.) Remember the Future (Nektar) d.) Confusion (Nektar)
(side
3)
(side 4) 1.) Astral Man (Nektar) - 3:15 2.) Fidgety
Queen (Nektar) - 3:40
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